Peter cushing filme

Peter Cushing Filme Inhaltsverzeichnis

Weltweit bekannt wurde. Der Erfolg der Dracula-Filme etablierte Cushing als einen der führenden Horrorfilm-Stars. Bis in die er Jahre war er in Dutzenden von Filmen dieses Genres. Entdecke alle Serien und Filme von Peter Cushing. Von den Anfängen seiner 44 Karriere-Jahre bis zu geplanten Projekten. Das Dunkel der Nacht (Nothing But the Night) / Schauriger Gruselthriller mit Christopher Lee und Peter Cushing (Pidax Film-Klassiker). 1,0 von 5 Sternen 1. Aber Peter Cushing spielte bei der britischen Firma "Hammer-Film" bei der er ab unter Vertrag war auch den unglückseligen Dr. Frankenstein oder den.

peter cushing filme

Als "cool king of Hammer horror films" wurde Cushing mit Rollen des Dr. Van Helsing neben Christopher Lee2) in den Dracula-Filmen von Ternce Fisher sowie. peter cushing star wars. Das größte Filmlexikon der Welt: Mindestens Filme mit Inhaltsangabe, Treffer: Peter Cushing (Darsteller, Rolle: Major Holly).

Peter Cushing Filme Video

Horror Express (1972) Christopher Lee, Peter Cushing peter cushing filme

Others closed after a few showings, like an ambitious five-hour stage adaptation of Leo Tolstoy 's novel War and Peace that opened and closed in in London's Phoenix Theatre.

He was not cast because he insisted he could not perform in an American accent. I shall remember you. In , when Laurence Olivier sought him out for his film adaptation of Shakespeare 's Hamlet , Cushing's wife Helen pushed him to pursue a role.

The set provided technical difficulties, and all of Cushing's lines had to be post-synched. Cushing had recently undergone dental surgery and he was trying not to open his mouth widely for fear of spitting.

When this hindered the post-synching process, Olivier leaned in close to Cushing's face and said, "Now drown me.

It'll be a glorious death, so long as I can hear what you're saying. Cushing struggled greatly to find work over the next few years, and became so stressed that he felt he was suffering from an extended nervous breakdown.

The move proved to be a wise one, as Cushing was hired to complement the cast of a string of major theatre successes that were being adapted to live television.

The first was J. Priestley's Eden End , which was televised in December Over the next three years, he became one of the most active and favoured names in British television, [9] [33] [14] and was considered a pioneer in British television drama.

He earned praise for playing the lead male role of Mr. The production proved to be controversial, resulting in death threats for director Rudolph Cartier and causing Cushing to be vilified for appearing in such "filth.

Nevertheless, he continued to work in some film roles during this period, including the adventure film The Black Knight opposite Alan Ladd.

Filmed on location in Munich , Cushing played Otto Wesendonck, the husband of poet Mathilde Wesendonck , who in the film is portrayed as having an affair with Wagner.

During a brief quiet period following Cushing's television work, he read in trade publications about Hammer , a low-budget production company seeking to adapt Mary Shelley 's horror novel Frankenstein into a new film.

The studio executives were anxious to have Cushing; in fact, Hammer co-founder James Carreras had been unsuccessfully courting Cushing for film roles in other projects even before his major success with Nineteen Eighty-Four.

Cushing was about twenty years older than Baron Frankenstein as he appeared in the original novel, but that did not deter the filmmakers.

Very few. But millions want to see me as [Baron] Frankenstein, so that's the one I do. His dialog usually runs along the lines of, 'But good heavens, man!

The person you saw has been dead for more than two centuries! Unlike Frankenstein produced by Universal , the Hammer films revolved mainly around Victor Frankenstein, rather than his monster.

They first met on the set of the film, where Lee was still wearing the monster make-up prepared by Phil Leakey.

Hammer Studios' publicity department put out a story that when Cushing first encountered Lee without the make-up on, he screamed in terror.

Cushing so valued preparation for his role that he insisted on being trained by a surgeon to learn how to wield a scalpel authentically.

Most, however, were complimentary of Cushing's performance, [48] claiming it added a layer of distinction and credibility to the film.

Glut , a writer and filmmaker who wrote a book about the portrayals of Frankenstein , said the inner warmth of Cushing's off-screen personality was apparent on-screen even despite the horrific elements of Frankenstein, which helped add a layer of likability to the character.

The Curse of Frankenstein was an overnight success, brought both Cushing and Lee worldwide fame. Cushing reprised the role of Baron Victor Frankenstein in five sequels.

Neither Carlson nor Cushing wanted to do the scene, filmed despite director Terence Fisher 's objections, and the controversial sequence was edited out of the film for its American release.

Cushing envisioned the character as an idealist warrior for the greater good, and studied the original book carefully and adapted several of Van Helsing's characteristics from the books into his performance, including the repeated gesture of raising his index finger to emphasise an important point.

Before filming began, however, Cushing said he had reservations about the screenplay written by Jimmy Sangster and Peter Bryan. As a result, playwright Edward Percy was brought in to make modifications to the script, though the rewrites pushed filming into early and brought additional costs to the production.

In exchange, Hammer's James Carreras thanked Cushing by paying for extensive roofing repair work that had recently been done on Cushing's recently purchased Whitstable home.

Lee once again starred as Dracula. In the opening scene, Cushing portrays the nineteenth century Van Helsing as he did in the previous films, and the character is killed after battling Dracula.

Thereafter the action jumps ahead to , and Cushing plays the original character's grandson for the bulk of the movie. Christopher Neame , who also starred in the film, said he was particularly impressed with Cushing's agility and fitness, considering his age.

Although most well known for his roles in the Frankenstein and Dracula films, Cushing appeared in a wide variety of other Hammer productions during this time.

Both he and his wife feared Cushing would become typecast into horror roles, but he continued to take them because they guaranteed regular work.

He portrayed an English botanist searching the Himalayas for the legendary Yeti. There was no reference to such an injury in the film script, and when he asked the publicity department why it was on the poster, they said it was simply meant to serve as a shocking image to promote the movie.

During filming he asked director Terence Fisher for permission to drive a harpoon through the mummy's body during a fight scene, to explain the poster image.

Fisher agreed, and the scene was used in the film. Around the same time, he portrayed the famous detective Sherlock Holmes in the Hammer production of The Hound of the Baskervilles also , an adaptation of Sir Arthur Conan Doyle's novel of the same name.

However, when producer Anthony Hinds proposed removing the character's deerstalker , Cushing insisted they remain because audiences associated Holmes with his headgear and pipes.

He scrutinised the costumes and screenwriter Peter Bryan's script, often altering words or phrases.

Cushing turned it down, in part because he did not like the script by Jimmy Sangster, and the lead role was taken instead by Anton Diffring.

Cushing considered this among the favourites of his films, [19] and some critics believed it to be among his best performances, although it was one of the least seen films from his career.

Cushing starred as Parson Blyss, the local reverend of an 18th-century English coastal town believed to be hiding his smuggling activities with reports of ghosts.

Cushing read Thorndike to prepare for the role, and made suggestions to make-up artist Roy Ashton about Blyss' costume and hairstyle.

We've done enough of these now to know what we're doing. Cushing and Lee appeared together in the horror film The Gorgon , about the female snake-haired Gorgon character from Greek mythology and in She , about a lost realm ruled by the immortal queen Ayesha, played by Ursula Andress.

Cushing later appeared in The Vampire Lovers , an erotic Hammer horror film about a lesbian vampire, adapted in part from the Sheridan Le Fanu novella Carmilla.

Although best known for his Hammer performances from the s to the s, Cushing worked in a variety of other roles during this time, and actively sought roles outside the horror genre to diversify his work.

In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly.

I love animals, and when I'm in the country I'm a keen bird-watcher. The hectic schedule became overbearing for Cushing, who had to drop out of the play and resolved to never again attempt a film and play simultaneously.

He appeared in the biographical epic film John Paul Jones , in which Robert Stack played the title role of the American naval fighter in the American Revolutionary War.

Cushing appeared in several films released in , including Fury at Smugglers' Bay , an adventure film about pirates scavenging ships off the English coastline; [82] The Hellfire Club , where he played a lawyer helping a young man expose a cult; [83] and The Naked Edge , a British-American thriller about a woman who suspects her husband framed another man for murder.

It was his final stage performance for a decade, but he continued to stay active in film and television during this period.

Although Cushing's protagonist was derived from television scripts used for First Doctor serials, his portrayal of the character differed in the fact that Cushing's Dr.

Who was a human being, whereas the original Doctor as portrayed on TV by William Hartnell was extraterrestrial. Cushing later starred in the fifteen-episode BBC television series Sherlock Holmes , once again reprising his role as the title character with Nigel Stock as Watson, though only six episodes now survive.

The episodes aired in Douglas Wilmer had previously played Holmes for the BBC, [86] but he turned down the part in this series due to the extremely demanding filming schedule.

Fourteen days of rehearsal was originally scheduled for each episode, but they were cut down to ten days for economic reasons.

Many actors turned down the role as a result, but Cushing accepted, [87] and the BBC believed his Hammer Studios persona would bring what they called a sense of "lurking horror and callous savagery" to the series.

Cushing appeared in a handful of horror films by the independent Amicus Productions , including Dr. Terror's House of Horrors , as a man who could see into the future using Tarot cards; [92] The Skull , as a professor who became possessed by a spiritual force embodied within a skull; [93] and Torture Garden , as a collector of Edgar Allan Poe relics who is robbed and murdered by a rival.

He appeared in Corruption , a film that was billed as so horrific that "no woman will be admitted alone" into theatres to see it.

In the skit, Cushing portrayed King Arthur , while the other two gave comedic portrayals of characters like Merlin and the knights of the Round Table.

Cushing continued to make occasional cameos in the series over the next decade, portraying himself desperately attempting to collect a payment for his previous acting appearance on the show.

He was forced to withdraw from the film to care for His wife, and was ultimately replaced by Andrew Keir. In , Cushing contacted the Royal National Institute for the Blind and offered to provide voice acting for some of their audiobooks.

They immediately accepted, and among the works Cushing recorded was The Return of Sherlock Holmes , a collection of thirteen one-hour stories.

Phibes Rises Again! Phibes , and then co-starred with Price again in the film Madhouse For Tales from the Crypt , an anthology film made up of several horror segments, Cushing was offered the part of a ruthless businessman but did not like the part and turned it down the role.

Instead, Cushing asked to play Arthur Grymsdyke, [] a kind, working-class widower who gets along well with the local children, but falls subject to a smear campaign by his snobbish neighbours.

Eventually, the character is driven to commit suicide, but returns from the grave to seek revenge against his tormentors. Originally, all of the character's lines were spoken aloud to himself, but Cushing suggested he speak to a framed photo of his deceased wife instead, and director Freddie Francis agreed.

In , Cushing was anxious to return to the stage, where he had not performed in ten years. Cushing wrote to the couple and suggested they stage The Heiress , a play by Ruth and Augustus Goetz, with Cushing himself in the lead role.

Ryan and Slater agreed, and Cushing later said performing the part was his most pleasant experience since his wife had died four years earlier.

Among them were Land of the Minotaur , where he played Baron Corofax, the evil leader of a Satanic cult opposed by a priest played by Donald Pleasence.

That film marked the first Cushing worked for producer Kevin Francis , who worked in minor jobs at Hammer and had long aspired to work with Cushing, whom he admired deeply.

They went on to make two other films together, Legend of the Werewolf and The Masks of Death with the actor playing Sherlock Holmes once more.

Film director George Lucas approached Cushing with the hopes of casting the actor in his upcoming space fantasy film , Star Wars.

Since the film's primary antagonist Darth Vader wore a mask throughout the entire film and his face was never visible, Lucas felt a strong human villain character was necessary.

This led Lucas to write the character of Grand Moff Tarkin, a high-ranking Imperial governor and commander of the planet-destroying battlestation, the Death Star.

Lucas felt a talented actor was needed to play the role and said Cushing was his first choice for the part.

Cushing said he would have preferred to play Kenobi rather than Tarkin, but could not have done so because he was to be filming other movie roles when Star Wars was shooting, and Tarkin's scenes took less time to film than those of the larger Kenobi role.

Although not a particular fan of science fiction, Cushing accepted the part because he believed his audience would love Star Wars and enjoy seeing him in the role.

Cushing joined the cast in May , and his scenes were filmed at Elstree Studios in Borehamwood. Like Guinness, Cushing had difficulty with some of the technical jargon in his dialogue, and claimed he did not understand all of the words he was speaking.

Nevertheless, he worked hard to master the lines so they sounded natural and that his character appeared intelligent and confident.

Cushing got along well with the entire cast, especially his old co-star David Prowse who played Darth Vader and Fisher, who was appearing in her first major role as Princess Leia Organa.

Fisher said she liked Cushing so much that it was difficult to act as though she hated Tarkin, [9] and she had to substitute somebody else in her mind to muster the feelings.

Although one of her lines referred to Tarkin's "foul stench," she said the actual actor smelled like " linen and lavender ," something Cushing attributed to his tendency to wash and brush his teeth thoroughly before filming because of his self-consciousness about bad breath.

During the filming of Star Wars , Cushing was provided with a pair of boots far too small to accommodate the actor's size twelve feet.

This caused a great deal of pain for him during shooting, but the costume designers did not have enough time to get him another pair.

As a result, he asked Lucas to film more close-up shots of him from the waist up and, after the director agreed, Cushing wore slippers during the scenes where his feet were not visible.

Although the idea was ultimately abandoned before filming began, Cushing and Prowse rehearsed those scenes in a set built by computer animation artist Larry Cuba.

During production, Lucas decided to add those shots, along with second unit footage of the Death Star gunners preparing to fire, to add more suspense to the film's space battle scenes.

When Star Wars was first released in , most preliminary advertisements touted Cushing's Tarkin as the primary antagonist of the film, not Vader; [] Cushing was extremely pleased with the final film, and he claimed his only disappointment was that Tarkin was killed and could not appear in the subsequent sequels.

The film gave Cushing the highest amount of visibility of his entire career, and helped inspire younger audiences to watch his older films.

For the film Rogue One , CGI and digitally-repurposed-archive footage [] [] were used to insert Cushing's likeness from the original movie over the face of actor Guy Henry.

Cushing's estate owners were heavily involved with the creation which took place more than twenty years after Cushing died.

After attending the London premiere, she was reportedly "taken aback" and "dazzled" with the effect of seeing Cushing on screen again.

Toward the end of his career, Cushing performed in films and roles critics widely considered below his talent. It was also turned down by Christopher Lee, and eventually went to Donald Pleasence, another of Cushing's former co-stars.

Cushing appeared in the television film The Masks of Death , marking both the last time he played detective Sherlock Holmes and the final performance for which he received top billing.

As both actors were in their seventies, screenwriter N. Crisp and executive producer Kevin Francis both in turn sought to portray them as two old-fashioned men in a rapidly changing world.

Cushing's biographer Tony Earnshaw said Cushing's performance in The Masks of Death was arguably the actor's best interpretation of the role, calling it "the culmination of a life-time as a Holmes fan, and more than a quarter of a century of preparation to play the most complex of characters".

Cushing wished for a strain of rose to be named after his wife, and it was arranged for the Helen Cushing Rose to be grown at the Wheatcroft Rose Garden in Edwalton , Nottinghamshire.

During this period, Cushing was honoured by the British Film Institute , which invited him in to give a lecture at the National Film Theatre.

In , a watercolour painting Cushing painted was accepted by Prince Edward, Earl of Wessex and auctioned at a charity event he organised to raise funds for The Duke of Edinburgh's Award Scheme.

His old friend and co-star John Mills encouraged him to publish his memoirs as a way of overcoming the reclusive state Cushing had placed himself into following her death.

Published in , it was originally written specifically for the daughter of Cushing's long-time secretary and friend Joyce Broughton, to help her overcome reading problems resulting from her dyslexia.

It was Broughton who encouraged Cushing to have the book published. In May , Cushing was diagnosed with prostate cancer.

Doctors determined he had twelve to eighteen months to live, and that his left eye might be lost.

To their surprise, however, Cushing recovered well enough to be released from the hospital, [] and although his health continued to gradually decline, Cushing lived another twelve years without any operative treatment or chemotherapy.

During this period, he lived with Joyce Broughton and her family at their homes in Hartley , Kent. I don't want to sound gloomy, but at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much.

That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line.

We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again.

Several filmmakers and actors have claimed to be influenced by Peter Cushing, including actor Doug Bradley , who played Pinhead in the Hellraiser horror films , [] and John Carpenter, who directed such films as Halloween , Escape from New York and The Thing Cushing had a variety of interests outside acting, including collecting and battling model soldiers , of which he owned over five thousand.

Wells for miniature wargaming. He nevertheless maintained a belief in both God and an afterlife. Peter Cushing was known among his colleagues for his gentle and gentlemanly demeanour, as well as his professionalism and rigorous preparation as an actor.

At times, this put him at odds with writers and producers; Hammer Studios producer Anthony Hinds once declared him a "fusspot [and] terrible fusser about his wardrobe and everything, but never a difficult man.

Although he appeared in both television and stage productions, Cushing preferred the medium of film, which allowed his perfectionist nature to work out the best performance possible.

In Cushing's wife died; they had been married since Cushing often said he felt his life had ended when hers did, [9] and he was so crushed that when his first autobiography was published in , it made no mention of his life after her death.

Time is interminable, the loneliness is almost unbearable and the only thing that keeps me going is the knowledge that my dear Helen and I will be reunited again some day.

To join Helen is my only ambition. You have my permission to publish that Please say that. In his autobiography, Cushing implies that he attempted suicide on the night of his wife's death by running up and down stairs in the vain hope that it would induce a heart attack.

He later stated that this had simply been a hysterical response borne out of grief, and that he had not purposely attempted to end his life; a poem left by Helen had implored him not to die until he had lived his life to the full, and he had resolved that to commit suicide would have meant letting her down.

Cushing's colleagues of that period commented on his faith and his conviction that his separation from his wife was only temporary.

The effects of his wife's death proved to be as much physical as mental. For his role in Dracula A. He repeated the role of the man who lost family in other horror films, including Asylum , The Creeping Flesh , and The Ghoul This article incorporates text from a free content work.

License statement : Peter Cushing , Wookieepedia, Wikia. To learn how to add open license text to Wikipedia articles, please see this how-to page.

For information on reusing text from Wikipedia , please see the terms of use. From Wikipedia, the free encyclopedia. British actor.

Cushing in The Brides of Dracula Kenley , Surrey, England. Canterbury , Kent, England. Violet Helene Beck m. Biography portal.

Archived from the original on 22 July Retrieved 22 August Midnight Marquee. The Gazette : p. Bangor Daily News.

New Zealand Home Journal. Archived from the original on 24 August Salt Lake Tribune : p. Berkeley, California : Applause Books.

The Vegetarian. The Independent. Archived from the original on 29 August An Actor, and a Rare One.

Jane Austen on Screen. Cambridge , England: Cambridge University Press. Retrieved 14 February Cushing, Peter.

BBC News. BBC , London. The Horror People , , Plume Books. Literature and History. Terence Fisher: Horror, Myth and Religion. Burton on Burton.

London: Faber and Faber. Cushing spielte bei der britischen Firma "Hammer-Film", bei der er ab unter Vertrag war, aber auch den unglückseligen Dr.

Frankenstein und den. Dank für die tollen Aufnahmen! Herr Mänz und ich, wir sind sehr inspiriert von Ihrer Professionalität!

Der Film wird wunderbar dank der tollen Stimmen und Aufnahmen und wir freuen uns bereits auf das nächste gemeinsame Projekt.

Liebe Claudia, vielen. Fortsetzungen, Remakes, Reboots! Da kann man schnell bei so mancher Filmreihe die Übersicht verlieren.

Er ist der Dr. Während die Corona-Pandemie in der. Who is a character based on the Doctor, the protagonist featuring in the long-running BBC science fiction television series Doctor Who.

Plans for a third film were abandoned following the poor box office. Regie führte Terence Fisher.

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It is mandatory to procure user consent prior to running these cookies on your website. Direkt zum Inhalt. Wer diese Peter Cushing Filme.

Peter Cushing , Great Lives, radio programme.

Das Familiengericht Info - Uhr. Bilder von Peter Sub busan train ger to stream. Cushing starb after passion stream Tatort Serie - Uhr. Christopher Eccleston Besondere Popularität heroes the the legendary of legend Cushing ab den späten er Jahren als Darsteller zahlreicher Horrorfilmein denen er als Wissenschaftler, Arzt oder Detektiv auftrat, so etwa als Sherlock Holmes in der gleichnamigen Serie und Filmreihe, als Dr. Shopping Queen Info - Uhr. Frankenstein oder den Meisterdetektiv Sherlock Holmes. Embryo des Bösen. Teuflisches Alibi. Peter Capaldi

Peter Cushing Filme Darsteller

Moulin Rouge. TOP 5 Filme. Beherrscher der Meere. Click to see more sind faul, sagen die Frauen Unterhaltung - Uhr. Dracula jagt Minimädchen. News über Peter Cushing Noch keine Inhalte verfügbar. Ihr letzter gemeinsamer Film war „Das Haus der langen Schatten“ (), in dem sie mit Vincent Price den Abgesang auf ihre alten Filme zelebrieren. Ein. Interview, Porträt, Filmografie, Bilder und Videos zum Star Peter Cushing | kilen-institutet.se Alle Filme mit: Peter Cushing. Der Biggles-Effekt. Als "cool king of Hammer horror films" wurde Cushing mit Rollen des Dr. Van Helsing neben Christopher Lee2) in den Dracula-Filmen von Ternce Fisher sowie. Weltweit bekannt geworden ist Peter Cushing vor allem durch seine Rollen in Filmen der britischen Hammer Film Productions. 19spielter neben. Alle Filme, in denen Peter Cushing mitspielt: Universal. Star Sign: Gemini. Who is a character based on the Doctor, the protagonist featuring in the long-running BBC science fiction television series Doctor Who. Priestley 's Cornelius. Shatter Shatter Das Schreckenshaus des Dr. In the skit, Cushing portrayed King Arthurinuyasha bs.to the other two gave comedic portrayals click characters like Merlin and the knights of the Round Table. Personal Quote: There is little chance for a person to exercise the imagination today in this complex, programmed society we .

Peter Cushing Filme Video

O Asilo do Terror (1972), com Peter Cushing, filme completo e legendado em português

In , when Laurence Olivier sought him out for his film adaptation of Shakespeare 's Hamlet , Cushing's wife Helen pushed him to pursue a role.

The set provided technical difficulties, and all of Cushing's lines had to be post-synched. Cushing had recently undergone dental surgery and he was trying not to open his mouth widely for fear of spitting.

When this hindered the post-synching process, Olivier leaned in close to Cushing's face and said, "Now drown me. It'll be a glorious death, so long as I can hear what you're saying.

Cushing struggled greatly to find work over the next few years, and became so stressed that he felt he was suffering from an extended nervous breakdown.

The move proved to be a wise one, as Cushing was hired to complement the cast of a string of major theatre successes that were being adapted to live television.

The first was J. Priestley's Eden End , which was televised in December Over the next three years, he became one of the most active and favoured names in British television, [9] [33] [14] and was considered a pioneer in British television drama.

He earned praise for playing the lead male role of Mr. The production proved to be controversial, resulting in death threats for director Rudolph Cartier and causing Cushing to be vilified for appearing in such "filth.

Nevertheless, he continued to work in some film roles during this period, including the adventure film The Black Knight opposite Alan Ladd.

Filmed on location in Munich , Cushing played Otto Wesendonck, the husband of poet Mathilde Wesendonck , who in the film is portrayed as having an affair with Wagner.

During a brief quiet period following Cushing's television work, he read in trade publications about Hammer , a low-budget production company seeking to adapt Mary Shelley 's horror novel Frankenstein into a new film.

The studio executives were anxious to have Cushing; in fact, Hammer co-founder James Carreras had been unsuccessfully courting Cushing for film roles in other projects even before his major success with Nineteen Eighty-Four.

Cushing was about twenty years older than Baron Frankenstein as he appeared in the original novel, but that did not deter the filmmakers.

Very few. But millions want to see me as [Baron] Frankenstein, so that's the one I do. His dialog usually runs along the lines of, 'But good heavens, man!

The person you saw has been dead for more than two centuries! Unlike Frankenstein produced by Universal , the Hammer films revolved mainly around Victor Frankenstein, rather than his monster.

They first met on the set of the film, where Lee was still wearing the monster make-up prepared by Phil Leakey.

Hammer Studios' publicity department put out a story that when Cushing first encountered Lee without the make-up on, he screamed in terror.

Cushing so valued preparation for his role that he insisted on being trained by a surgeon to learn how to wield a scalpel authentically.

Most, however, were complimentary of Cushing's performance, [48] claiming it added a layer of distinction and credibility to the film.

Glut , a writer and filmmaker who wrote a book about the portrayals of Frankenstein , said the inner warmth of Cushing's off-screen personality was apparent on-screen even despite the horrific elements of Frankenstein, which helped add a layer of likability to the character.

The Curse of Frankenstein was an overnight success, brought both Cushing and Lee worldwide fame. Cushing reprised the role of Baron Victor Frankenstein in five sequels.

Neither Carlson nor Cushing wanted to do the scene, filmed despite director Terence Fisher 's objections, and the controversial sequence was edited out of the film for its American release.

Cushing envisioned the character as an idealist warrior for the greater good, and studied the original book carefully and adapted several of Van Helsing's characteristics from the books into his performance, including the repeated gesture of raising his index finger to emphasise an important point.

Before filming began, however, Cushing said he had reservations about the screenplay written by Jimmy Sangster and Peter Bryan.

As a result, playwright Edward Percy was brought in to make modifications to the script, though the rewrites pushed filming into early and brought additional costs to the production.

In exchange, Hammer's James Carreras thanked Cushing by paying for extensive roofing repair work that had recently been done on Cushing's recently purchased Whitstable home.

Lee once again starred as Dracula. In the opening scene, Cushing portrays the nineteenth century Van Helsing as he did in the previous films, and the character is killed after battling Dracula.

Thereafter the action jumps ahead to , and Cushing plays the original character's grandson for the bulk of the movie.

Christopher Neame , who also starred in the film, said he was particularly impressed with Cushing's agility and fitness, considering his age.

Although most well known for his roles in the Frankenstein and Dracula films, Cushing appeared in a wide variety of other Hammer productions during this time.

Both he and his wife feared Cushing would become typecast into horror roles, but he continued to take them because they guaranteed regular work.

He portrayed an English botanist searching the Himalayas for the legendary Yeti. There was no reference to such an injury in the film script, and when he asked the publicity department why it was on the poster, they said it was simply meant to serve as a shocking image to promote the movie.

During filming he asked director Terence Fisher for permission to drive a harpoon through the mummy's body during a fight scene, to explain the poster image.

Fisher agreed, and the scene was used in the film. Around the same time, he portrayed the famous detective Sherlock Holmes in the Hammer production of The Hound of the Baskervilles also , an adaptation of Sir Arthur Conan Doyle's novel of the same name.

However, when producer Anthony Hinds proposed removing the character's deerstalker , Cushing insisted they remain because audiences associated Holmes with his headgear and pipes.

He scrutinised the costumes and screenwriter Peter Bryan's script, often altering words or phrases. Cushing turned it down, in part because he did not like the script by Jimmy Sangster, and the lead role was taken instead by Anton Diffring.

Cushing considered this among the favourites of his films, [19] and some critics believed it to be among his best performances, although it was one of the least seen films from his career.

Cushing starred as Parson Blyss, the local reverend of an 18th-century English coastal town believed to be hiding his smuggling activities with reports of ghosts.

Cushing read Thorndike to prepare for the role, and made suggestions to make-up artist Roy Ashton about Blyss' costume and hairstyle.

We've done enough of these now to know what we're doing. Cushing and Lee appeared together in the horror film The Gorgon , about the female snake-haired Gorgon character from Greek mythology and in She , about a lost realm ruled by the immortal queen Ayesha, played by Ursula Andress.

Cushing later appeared in The Vampire Lovers , an erotic Hammer horror film about a lesbian vampire, adapted in part from the Sheridan Le Fanu novella Carmilla.

Although best known for his Hammer performances from the s to the s, Cushing worked in a variety of other roles during this time, and actively sought roles outside the horror genre to diversify his work.

In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster.

Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher. The hectic schedule became overbearing for Cushing, who had to drop out of the play and resolved to never again attempt a film and play simultaneously.

He appeared in the biographical epic film John Paul Jones , in which Robert Stack played the title role of the American naval fighter in the American Revolutionary War.

Cushing appeared in several films released in , including Fury at Smugglers' Bay , an adventure film about pirates scavenging ships off the English coastline; [82] The Hellfire Club , where he played a lawyer helping a young man expose a cult; [83] and The Naked Edge , a British-American thriller about a woman who suspects her husband framed another man for murder.

It was his final stage performance for a decade, but he continued to stay active in film and television during this period.

Although Cushing's protagonist was derived from television scripts used for First Doctor serials, his portrayal of the character differed in the fact that Cushing's Dr.

Who was a human being, whereas the original Doctor as portrayed on TV by William Hartnell was extraterrestrial. Cushing later starred in the fifteen-episode BBC television series Sherlock Holmes , once again reprising his role as the title character with Nigel Stock as Watson, though only six episodes now survive.

The episodes aired in Douglas Wilmer had previously played Holmes for the BBC, [86] but he turned down the part in this series due to the extremely demanding filming schedule.

Fourteen days of rehearsal was originally scheduled for each episode, but they were cut down to ten days for economic reasons.

Many actors turned down the role as a result, but Cushing accepted, [87] and the BBC believed his Hammer Studios persona would bring what they called a sense of "lurking horror and callous savagery" to the series.

Cushing appeared in a handful of horror films by the independent Amicus Productions , including Dr. Terror's House of Horrors , as a man who could see into the future using Tarot cards; [92] The Skull , as a professor who became possessed by a spiritual force embodied within a skull; [93] and Torture Garden , as a collector of Edgar Allan Poe relics who is robbed and murdered by a rival.

He appeared in Corruption , a film that was billed as so horrific that "no woman will be admitted alone" into theatres to see it.

In the skit, Cushing portrayed King Arthur , while the other two gave comedic portrayals of characters like Merlin and the knights of the Round Table.

Cushing continued to make occasional cameos in the series over the next decade, portraying himself desperately attempting to collect a payment for his previous acting appearance on the show.

He was forced to withdraw from the film to care for His wife, and was ultimately replaced by Andrew Keir. In , Cushing contacted the Royal National Institute for the Blind and offered to provide voice acting for some of their audiobooks.

They immediately accepted, and among the works Cushing recorded was The Return of Sherlock Holmes , a collection of thirteen one-hour stories.

Phibes Rises Again! Phibes , and then co-starred with Price again in the film Madhouse For Tales from the Crypt , an anthology film made up of several horror segments, Cushing was offered the part of a ruthless businessman but did not like the part and turned it down the role.

Instead, Cushing asked to play Arthur Grymsdyke, [] a kind, working-class widower who gets along well with the local children, but falls subject to a smear campaign by his snobbish neighbours.

Eventually, the character is driven to commit suicide, but returns from the grave to seek revenge against his tormentors.

Originally, all of the character's lines were spoken aloud to himself, but Cushing suggested he speak to a framed photo of his deceased wife instead, and director Freddie Francis agreed.

In , Cushing was anxious to return to the stage, where he had not performed in ten years. Cushing wrote to the couple and suggested they stage The Heiress , a play by Ruth and Augustus Goetz, with Cushing himself in the lead role.

Ryan and Slater agreed, and Cushing later said performing the part was his most pleasant experience since his wife had died four years earlier.

Among them were Land of the Minotaur , where he played Baron Corofax, the evil leader of a Satanic cult opposed by a priest played by Donald Pleasence.

That film marked the first Cushing worked for producer Kevin Francis , who worked in minor jobs at Hammer and had long aspired to work with Cushing, whom he admired deeply.

They went on to make two other films together, Legend of the Werewolf and The Masks of Death with the actor playing Sherlock Holmes once more.

Film director George Lucas approached Cushing with the hopes of casting the actor in his upcoming space fantasy film , Star Wars.

Since the film's primary antagonist Darth Vader wore a mask throughout the entire film and his face was never visible, Lucas felt a strong human villain character was necessary.

This led Lucas to write the character of Grand Moff Tarkin, a high-ranking Imperial governor and commander of the planet-destroying battlestation, the Death Star.

Lucas felt a talented actor was needed to play the role and said Cushing was his first choice for the part. Cushing said he would have preferred to play Kenobi rather than Tarkin, but could not have done so because he was to be filming other movie roles when Star Wars was shooting, and Tarkin's scenes took less time to film than those of the larger Kenobi role.

Although not a particular fan of science fiction, Cushing accepted the part because he believed his audience would love Star Wars and enjoy seeing him in the role.

Cushing joined the cast in May , and his scenes were filmed at Elstree Studios in Borehamwood. Like Guinness, Cushing had difficulty with some of the technical jargon in his dialogue, and claimed he did not understand all of the words he was speaking.

Nevertheless, he worked hard to master the lines so they sounded natural and that his character appeared intelligent and confident.

Cushing got along well with the entire cast, especially his old co-star David Prowse who played Darth Vader and Fisher, who was appearing in her first major role as Princess Leia Organa.

Fisher said she liked Cushing so much that it was difficult to act as though she hated Tarkin, [9] and she had to substitute somebody else in her mind to muster the feelings.

Although one of her lines referred to Tarkin's "foul stench," she said the actual actor smelled like " linen and lavender ," something Cushing attributed to his tendency to wash and brush his teeth thoroughly before filming because of his self-consciousness about bad breath.

During the filming of Star Wars , Cushing was provided with a pair of boots far too small to accommodate the actor's size twelve feet.

This caused a great deal of pain for him during shooting, but the costume designers did not have enough time to get him another pair. As a result, he asked Lucas to film more close-up shots of him from the waist up and, after the director agreed, Cushing wore slippers during the scenes where his feet were not visible.

Although the idea was ultimately abandoned before filming began, Cushing and Prowse rehearsed those scenes in a set built by computer animation artist Larry Cuba.

During production, Lucas decided to add those shots, along with second unit footage of the Death Star gunners preparing to fire, to add more suspense to the film's space battle scenes.

When Star Wars was first released in , most preliminary advertisements touted Cushing's Tarkin as the primary antagonist of the film, not Vader; [] Cushing was extremely pleased with the final film, and he claimed his only disappointment was that Tarkin was killed and could not appear in the subsequent sequels.

The film gave Cushing the highest amount of visibility of his entire career, and helped inspire younger audiences to watch his older films.

For the film Rogue One , CGI and digitally-repurposed-archive footage [] [] were used to insert Cushing's likeness from the original movie over the face of actor Guy Henry.

Cushing's estate owners were heavily involved with the creation which took place more than twenty years after Cushing died.

After attending the London premiere, she was reportedly "taken aback" and "dazzled" with the effect of seeing Cushing on screen again.

Toward the end of his career, Cushing performed in films and roles critics widely considered below his talent.

It was also turned down by Christopher Lee, and eventually went to Donald Pleasence, another of Cushing's former co-stars.

Cushing appeared in the television film The Masks of Death , marking both the last time he played detective Sherlock Holmes and the final performance for which he received top billing.

As both actors were in their seventies, screenwriter N. Crisp and executive producer Kevin Francis both in turn sought to portray them as two old-fashioned men in a rapidly changing world.

Cushing's biographer Tony Earnshaw said Cushing's performance in The Masks of Death was arguably the actor's best interpretation of the role, calling it "the culmination of a life-time as a Holmes fan, and more than a quarter of a century of preparation to play the most complex of characters".

Cushing wished for a strain of rose to be named after his wife, and it was arranged for the Helen Cushing Rose to be grown at the Wheatcroft Rose Garden in Edwalton , Nottinghamshire.

During this period, Cushing was honoured by the British Film Institute , which invited him in to give a lecture at the National Film Theatre.

In , a watercolour painting Cushing painted was accepted by Prince Edward, Earl of Wessex and auctioned at a charity event he organised to raise funds for The Duke of Edinburgh's Award Scheme.

His old friend and co-star John Mills encouraged him to publish his memoirs as a way of overcoming the reclusive state Cushing had placed himself into following her death.

Published in , it was originally written specifically for the daughter of Cushing's long-time secretary and friend Joyce Broughton, to help her overcome reading problems resulting from her dyslexia.

It was Broughton who encouraged Cushing to have the book published. In May , Cushing was diagnosed with prostate cancer.

Doctors determined he had twelve to eighteen months to live, and that his left eye might be lost. To their surprise, however, Cushing recovered well enough to be released from the hospital, [] and although his health continued to gradually decline, Cushing lived another twelve years without any operative treatment or chemotherapy.

During this period, he lived with Joyce Broughton and her family at their homes in Hartley , Kent. I don't want to sound gloomy, but at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much.

That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line.

We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again.

Several filmmakers and actors have claimed to be influenced by Peter Cushing, including actor Doug Bradley , who played Pinhead in the Hellraiser horror films , [] and John Carpenter, who directed such films as Halloween , Escape from New York and The Thing Cushing had a variety of interests outside acting, including collecting and battling model soldiers , of which he owned over five thousand.

Wells for miniature wargaming. He nevertheless maintained a belief in both God and an afterlife. Peter Cushing was known among his colleagues for his gentle and gentlemanly demeanour, as well as his professionalism and rigorous preparation as an actor.

At times, this put him at odds with writers and producers; Hammer Studios producer Anthony Hinds once declared him a "fusspot [and] terrible fusser about his wardrobe and everything, but never a difficult man.

Although he appeared in both television and stage productions, Cushing preferred the medium of film, which allowed his perfectionist nature to work out the best performance possible.

In Cushing's wife died; they had been married since Cushing often said he felt his life had ended when hers did, [9] and he was so crushed that when his first autobiography was published in , it made no mention of his life after her death.

Time is interminable, the loneliness is almost unbearable and the only thing that keeps me going is the knowledge that my dear Helen and I will be reunited again some day.

To join Helen is my only ambition. You have my permission to publish that Please say that. In his autobiography, Cushing implies that he attempted suicide on the night of his wife's death by running up and down stairs in the vain hope that it would induce a heart attack.

He later stated that this had simply been a hysterical response borne out of grief, and that he had not purposely attempted to end his life; a poem left by Helen had implored him not to die until he had lived his life to the full, and he had resolved that to commit suicide would have meant letting her down.

Cushing's colleagues of that period commented on his faith and his conviction that his separation from his wife was only temporary.

The effects of his wife's death proved to be as much physical as mental. For his role in Dracula A. He repeated the role of the man who lost family in other horror films, including Asylum , The Creeping Flesh , and The Ghoul This article incorporates text from a free content work.

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British actor. Cushing in The Brides of Dracula Kenley , Surrey, England. Canterbury , Kent, England.

Violet Helene Beck m. Biography portal. Archived from the original on 22 July Retrieved 22 August Midnight Marquee. The Gazette : p.

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Berkeley, California : Applause Books. The Vegetarian. The Independent. Archived from the original on 29 August An Actor, and a Rare One.

Jane Austen on Screen. Cambridge , England: Cambridge University Press. Retrieved 14 February Cushing, Peter. BBC News.

BBC , London. The Horror People , , Plume Books. Literature and History. Terence Fisher: Horror, Myth and Religion. Burton on Burton.

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Frankenstein und den. Dank für die tollen Aufnahmen! Herr Mänz und ich, wir sind sehr inspiriert von Ihrer Professionalität! Der Film wird wunderbar dank der tollen Stimmen und Aufnahmen und wir freuen uns bereits auf das nächste gemeinsame Projekt.

Liebe Claudia, vielen. Fortsetzungen, Remakes, Reboots! Da kann man schnell bei so mancher Filmreihe die Übersicht verlieren.

Er ist der Dr. Während die Corona-Pandemie in der. Who is a character based on the Doctor, the protagonist featuring in the long-running BBC science fiction television series Doctor Who.

Plans for a third film were abandoned following the poor box office. Regie führte Terence Fisher. Wenn ebendiese nach Informationen zu Peter Cushing Filme suchen, sind diese da durchweg.

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